laura@volaura.com

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Laura Schreiber

Doing a Voiceover for a 30 Second or 60 Second Commercial- What’s really involved?

January 29, 2018 by Laura Schreiber

So you must be thinking, “Wow- money for 30 seconds of work, sweet gig.” Well- if only it were that simple. It is a sweet gig because because most of us friendly folks in voiceover would never spend all of our waking hours in a padded foam booth alone if we didn’t LOVE what we do, so in that sense the work is great. And it’s great in another sense- most voiceover talents are happy about every job we book. Whether we are newbies just starting out or well-established professionals, every booking is something we are proud of, so in that sense every 30 second spot is something to celebrate. But does a 30 second commercial- whether for tv, radio, or the web- or a 60 second spot- actually take that long to do? Heavens no!

When a booking comes in, there are specs from our client telling us when they needed it back and what kind of sound they are looking for. We also learn the usage- will there be visuals side by side enhancing the audio or will it just be our voice on the radio? It makes a difference. Whether the client needs it back in 3 hours or in 24 hours, we have to break down the script. We mark it up and begin to digest what it’s really about. A script that comes to me about a cleaning supply item sold at Target is not likely about the detergent, right? It’s more likely about the needs of the young mom or her busy life or the solution that this product will provide. Once we have connected with the copy, there is a business side to our work. Every talent handles this differently. I invoice every job so that means as soon as I submit a finished recording I immediately follow up my email with an invoice. Some talents do it once a week. But we have to keep track of our own billing and accounts receivable and that is a time consuming piece of the puzzle.

Then we move on to the recording. Depending on what kind of production the client wants, you can record on different software. If they do not need music or sound effects added, I keep it simple and prefer to use a program called TwistedWav which was created specifically for voiceover recording on Macs. Typically for a commercial I give my client 3 takes, a version A, B, and C. I try to vary these by tone, pace, and word emphasis. When I am ready to record I set up my named files and am ready to go with my marked script. Depending on how comfortable I am, it can take anywhere from 10-40 minutes to complete this. Some clients then want the recordings sent raw, some want them fully edited, and I am happy to provide both if that is their preference.

There is an exception to this process and that is when clients ask for a guided session. A guided session allows the client to feel as if they are there in the booth with me when in fact I only hear them in my headphones! I can record and the mic will not pickup the client’s voice as they give feedback live and in the moment. While there is a minimum fee for such sessions, the client is guaranteed to have all the takes they need and the guided session is considered final delivery with no revisions or retakes included in the price.

After I record I typically send a follow-up email summary describing the work that I sent them and letting the client know that I am there if they need anything more for the job. I also let them know to look out for the invoice.

That is what the process looks like, even for what is perceived by an outsider to be a “quick” job! There are a lot of little steps that go into giving the client exactly what they need, and I do each one of them with a big smile! I am sure that there are some people in my industry who are faster and some people who are slower, but I always try to do my best, and I have never been able to do my best at anything- my nails, my schoolwork, my laundry, my hair- when I rush. My goal is that every client is a repeat client and so I treat every job as if it is the most important job I have!

Filed Under: Voiceover Tagged With: copywriting, guided voiceover session, Laura Schreiber, voiceover actress

Yes, I’m a Perfectionist. So what?

January 22, 2018 by Laura Schreiber

I think I was born this way. I fixate on details. This does not mean that I am compulsively clean and spend hours organizing my drawers (not that there’s anything wrong with that), this just means that when I work I do not finish until it is exactly as I think it should be. It served me extremely well as a school student and now as a small business owner I think it really helps set me apart. While I do try to have a sense of humor about all things in life, here are several reasons that perfectionists make the best voiceovers, not in a particular order:

  1. Any specific requests, whether written in the specs or given verbally, will always be met as a perfectionist takes such details VERY seriously
  2. Editing is very clean and nothing sloppy is ever left on – no good perfectionist would ever stand for sloppy editing.
  3. I have a very good ear – if I listen to something and feel that the overall gestalt of the piece is “off” I would never leave it. How could I? It’s either right or it’s…not.
  4. I always meet the time window on an order or booking and never have scheduling issues because, as a good perfectionist, I take the planning very seriously:)
  5. On a repeat job, I can easily match tone, pitch, and voice.

Filed Under: Voiceover Tagged With: Laura Schreiber, voiceover actress

What is a Travel Rig? Why Should Clients Should ask about it?

January 15, 2018 by Laura Schreiber

So you are about to cast a delightful and pleasant voiceover actress who you have worked with before. Or maybe you have never worked with them before but you are finally ready to start your project and now you need the recording TODAY, or tomorrow, but either way it is now a rush job. You email the talent and they are out of the studio for four days. What do you do? Well, if the talent is really a pro, they likely have a travel rig and that travel rig is likely to be almost as good as their studio set up. In some cases you will not notice a difference AT ALL between the booth and the travel rig, it just depends on what they have at home and what they have on the road.

My travel rig is quite good and as I do a lot of work for Pandora, I have worked with their engineers to perfect its sound and I am quite comfortable with it. There are, however, some key differences between my commercial grade booth and the rig I take on the road. On the road I use an apogee which is a USB mic. At home I have a Neumann that goes through my high-end RME interface. On the road I use a sound treated Kaotica eye-ball for sound proofing surrounded by a pillow fort. At home I have an entire custom built booth. Can I give a quality sound on the road? Yes. Is it the same as the Neumann in my booth? No, but nothing will every be as good as the Neumann. So why not travel with the Neumann? Well, for one, it’s kind of like why a lot of women have travel jewelry. It’s way too expensive. Next, it’s heavy and requires a huge set up. It just isn’t practical.

This is what my travel rig looks like, inside a “pillow fort” at a hotel to ensure great quality recordings!

What other considerations are there when using a talent on a travel rig? What if the voiceover actor has recorded the job at their home studio, they are now on the road, and you need a pickup. It’s up to you to decide if the recording is a close enough match. I’ve had clients decide to wait and I’ve had clients happily use the recoding on my rig without issue. It depends on the usage and how much processing is going with the piece.

Don’t be afraid of travel rigs. Just ask the voiceover actor what their recording chain is and what kind of work they have successfully done on it. If the voiceover actor has made the investment in this, they want to make you happy so that you will work with them again so you are more likely to be safe than sorry.

Mine includes the items below. If you have questions about my abilities to record when I’m traveling, I’d love to talk to you about it.

Filed Under: Voiceover Tagged With: just voice, Laura Schreiber, millenial voice, voice over, voiceover actress

10 Reasons I Love ❤ Being a Voiceover Actress

January 8, 2018 by Laura Schreiber

10. Every day is a surprise- no 2 days are the same!

9. I can take snack breaks whenever I want.

8. I make my own choices for my business.

7. My work is creative.

6. I am on social media all of the time.

5. My job is technology based and I can play with lots of gadgets.

4. I am constantly learning and growing new skills- my education and professional development never ends.

3. I meet lots of amazing people- from clients to other talents.

2. I can work from home!

1. My job is a happy, upbeat, fun job.

Filed Under: About Me, Voiceover Tagged With: just voice, Laura Schreiber, millenial voice, voiceover actress

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  • Laura answers every correspondence with a smile and a prompt reply. In addition to RUSH jobs and quick turnarounds, guided sessions are available and Laura works hard to make every project perfect. Do not hesitate to call or email anytime :) The one exception to this is erotica. Should you need someone for adult content, all the best to you, Laura is not your gal, do not reach out.

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