
“We’re Looking for Someone Who Can Put Their Own Spin On It”
“You Really Need an Improv Class”
Years ago, when coaching with my beloved mentor Fred Frees, every session was different and exciting. If I could have worked with him every day I would have. The characters that he helped me develop we exciting and fun and the hours that we spent via skype were some of the most thrilling of my life. Fred is a creative genius and one day when I was learning to scream as if being dragged by an alien pulling my away and never to return, Fred said I had to take improv. Despite months pf training and progress, he said that without an improv class he would not even consider setting a date for my character demo.
So, I overcame my fear of performing on stage and signed uo for the Advanced Acting and Improv class at Papermill Playhouse, our local theater. The class was taught by esteemed Broadway actress Elyssa Van Duyne and it challenged me in every way possible. From scripts like “Augusts of Osage County” that forced me to tap into anger, an emotion I do not enjoy, to exercises where we had to throw and catch a balloon while reciting our lines in different ways and somehow manage not to crash into each other. Every class brought out different weaknesses and struggles and revealed how much I had to learn, yet week after week I returned hungry to learn more. As professional actors, even as voiceover actors, if we do not continually work on our craft, we do not improve. This unique opportunity to leave my padded foam booth gave me a perspective I previously lacked as working with others on a stage is quite different than working alone in a very solitary space.
How did this effect my training with Fred? He heard a difference from the very first class on. One of the drills Fred would do was to ahve me run through my roster of characters that I created and read the script as different characters. Before the class I was reading them with the same pace and intonation, not varying the rhythm enough. This changed immediately. There was a freshness to my reads and I was able to connect with the copy in a very different way. While I would not have gone if Fred had not insisted, I am so thankful that he did! I believe that all professional voiceover actors benefit from improv training because we need to provide our clients, in all formats and genres, with alternate reads and options.
Daily Use of Improv
When I first did my training with Fred, I correctly assumed that the improv would help me in my character work. From toy demos to video game characters, the improv training that I have had has helped me bring fresh reads and passion to each character. I actually think the improv and fast response becomes a part of a voiceover actor’s innate response after years of doing it.
More and more often I am seeing commercial auditions posted that ask for talents who can adlib. Often during a guided session, clients will ask for something that is off script, and suddenly I find myself putting my improv skills to use. Sometimes even when staying on script completely, I find that my improv drives my commercial reads in that it enables me to give a totally unique second or third take. Again, in my experience improv is an asset to professional voiceover actors.
When I started doing work in radio imaging, I was pleasantly surprised to see that there is a space for improv there too. Whether it is with witty outtakes or sharp remarks, even imaging producers very much appreciate a voiceover actor for sweepers and liners who can ad lib on the spot. The challenge with imaging is understanding what is appropriate from format to format. A sarcastic quip that would draw a laugh on a Top 40 station would not be appropriate on an upbeat classic hits station.
Even in eLearning, the improv training comes in handy. Sometimes as a character in a training module, the instructional designer is looking for something different. They want their characters to be really believable. The risk taking and the ability to connect with the copy that comes with improv training will help with this even when sticking with the script.
Keeping that Edge
The more improv is requested, the more it needs to be practiced. It does get better the more you do it! There are local improv groups. There are also improv sessions and master classes at voiceover conferences. If you are thinking that you might need one, the answer is a resounding YESSSS!!!!
Come On, Just One Line
Time to Pack the Roll-y Bag
ELearning Conferences
Radio Summits
The Other Perks….
In April I attended another conference in Orlando. I had lunch with other voiceover talents and stayed at an amazing hotel with a lazy river! While I am highly motivated to grow and maintain client relationships, and stay on the forefront of the voiceover industry, I confess the travel perks ain’t half bad either!
Years ago, when I was early in my pregnancy with my twins, I remember my aunt pulling me aside and saying that as much as I loved my Cavalier King Charles Spaniel Barclay, I would love my children so much more. Well, once they were born I realized that I loved my precious Barclay the same way that I loved Emma and Jack. Barclay, and now Violet, have brought such joy and love to my life and they are part of the family. When the twins were little and in their stroller, Barclay was extremely protective and would go off like an alarm to keep strangers away from them. When we lived in our Upper West Side apartment, if the twins went anywhere near the kitchen, Barclay always barked to let me know. As they got older, his protective instincts continued to sharpen and from snuggling when they were upset to loving and training our precious Violet, living with dogs is one of my greatest joys. Over the years, I have watched my elderly grandparents smile with joy as they held my dogs. I have savored every second watching Violet and Barclay gently kiss and play with my nieces and nephews, always careful not to be too rough. My own twins have such a special bond with their “doggy brother and sister.” There is a reason why so many folks, from producers to professional voiceover actors have animals in our studios: our furry friends enhance the quality of our day and because we, as artists are happy, these animals ultimately ensure a quality finished product.
I LOVE my work, but spending hours a day working in a padded foam booth may not be as fun as it sounds, so having a precious furry friend inside is really nice. I have made my booth as pleasant and comfortable as a gal can make a booth, but it is so nice to have Violet with me. She has a double layer cozy bed and a fe quiet toys. She occasionally kisses my leg at random. She also sporadically gets up and rearranges all of her belongings. It is very precious. I always record standing up because it is really important for the sound quality. I regularly have very long eLearning sessions. Every now in then, if I am editing a lengthy eLearning project, I sit on the stool in my booth. The very second I sit down, Violet wants to sit on my lap. She is, after all, a lap dog.
Several years ago we moved from a lovely 1950s split level to a 1923 Georgian Colonial. To call this home a fixer upper is being kind, money pit seems more accurate. But we fell in love with this house because we knew we would have the space for the big family meals that we so enjoy. We have a really close knit family and on weekends and holidays we are all together, and this house, even with its leaks and floods, gives us the space to be surrounded by the people we love most. This house also had the space for my dream voiceover studio. For many years I had the luxury of taking a break from my teaching job and staying home with my twins as a full time mom. My years at home as a full time stay at home mom provided valuable, real like skills that I use every day in my voiceover business.
After years of happily meeting the varied expectations of a growing family that was pretty large to begin with, I happily meet the varied demands of voiceover clients. It begins with my voiceover proposals. Some clients love to begin with a friendly phone conversation. Other voiceover clients prefer a proposal with multiple options in an email form. Whether they are a video production company, a casting agent, and advertising agency, or one of the myriad of other possible voiceover clients, I am happy to discuss the terms however they are most comfortable, as being flexible is quite natural to me! From providing invoicing in different formats, to providing delivery of files as they like, to offering all differing kinds of guided sessions including Source Connect, ipDTL, ISDN, and even Skype for those who insist on it, I always try to do what the clients prefer and what is easiest for them. I have learned to accommodate by planning and being organized, skills that serve me well in voiceover and as a working mom!
Ready, Set, GO! Prepping for the RUSH!!
Thankfully I don’t have to drive to work, my recording booth is in my house. As a full time, professional voiceover actor, I am one of many in a growing trend of solo-preneurs who work from home. According to the 

