laura@volaura.com

973.747.6800

  • Home
  • Demos
    • Demos
    • YouTube Bumper Demo
    • Commercial
    • Covid Response And Emergency Management
    • Radio Imaging
    • TV Affiliate
    • Narration
    • Audiobooks
    • Tours
    • Character
    • Kids Voices
    • Baby Voices
    • Promo
    • eLearning
    • Explainer
    • Telephony
    • Government
    • Medical Narration
    • French Commercial
    • Podcast
    • On Camera
  • Copy Writing
  • Studio
  • Clients
    • Testimonials
    • Awards
  • Blog
  • Contact

talents

Crochet as Metaphor for Making it In Voice Over

May 18, 2024 by Laura Schreiber

Metaphor Between Afghan and VO

Last summer when I was on my voice over retreat with my accountability group, Kim Handysides taught us how to crochet granny squares. I learned to crochet as a little girl and have always loved all needle crafts, but there was something about sitting around

Branded Granny Squares
These are they granny squares Kim helped me start in my brand colors. I am making a tote bag.

with a group of women I was already close with and stiching and talking. It reinvigorated my love of crochet and somehow now linked it to my passion for voice over, so thank you Kim.

Anyway, as a little girl, when I was in second grade, my beloved Mommom Harriet taught me to crochet and knit. We started with crocheting. Her approach to both was the same. She wanted me to get it right. She encouraged me just enough so that I would not give up, and showed me what I was going to make, telling me that I would finish, but as I went along, for any mistake I made, Mommom pulled it out and had me re-do it. When something was nicely done she would say “beautiful work, Laura.” But, if a stitch needed correcting, she would look at it and sho me exactly where the last good stitch was. Then Mommom would pull the stitches out to that last good one, set the needles or hook back, and again I would re-start. Perhaps this is what got me so used to doing multiple takes in VO without flinching?

Well, since last summer, Kim really got me hooked on the granny squares. I decided to do an afghan club where the subscription sends me a kit each month. It is extremely exciting and fulfilling. Every month in the mail I get a package with beautiful yarns and

Happy Days Afghan
This is what the Afghan will look like

directions for the squares. At some point it will turn into a blanket. I chose a project called the “Happy Days Afghan.”

The more I work on this project, the more I realize that my approach to it is a rather solid metaphor to my approach to my voice over business. Like crocheting an afghan, our voice over career is a journey giving us multiple opportunities to try, do, and re-do until things look right for us.

How Long We sit With Things

Last month one of my squares turned into a pentagon. I felt fairly confident I had followed the directions flawlessly. I read them over and over. I counted stitches. I looked at the photo. Yet in my hands I held a pentagon, and what I needed was a square. I was not sure what to do. I thought perhaps I would hem it? Clearly any stitcher would no that would really not be okay. After about six weeks, I was looking at it again in dismay and a little bit of disgust. As time went on, my inability to get it right bothered me.

If this were voice over, and I weren’t booking, I would hire a coach or take online classes. I would talk to the gals in my accountability group. I would post on Facebook chats. So why, with the pentagon, was I just sitting there, stumped, paralyzed? When I did seek online help, I knew my stitches were correct, so the flaw was in my perspective, my analysis of the pattern.

Time to Reshape Things

Wanting to fix the pentagon was not about being a perfectionist, I began to realize just like in voiceover, it was about making my blanket what I wanted it to be. I kept hearing my Mommom’s voice in my head, and I got to a point where I just couldn’t leave it as it was. I think what was bothering me was that I had a pattern- a path- a roadmap as it were, and it still went wrong. I did my best and it was not right. So now It was time to re-do it. In VoiceOver, there is no road map for our career- we can build it and change paths, and we can talk to coaches but no one has a crystal ball and much like with my afghan, things can and will go sideways.

So two nights ago feeling the very strong presence of my grandmother I began pulling out stitches. I pulled out until the last good

Reshaped Square
The revised square!

row, just as she showed me as a little girl. The tricky thing in the square is that the early part of the pattern is round and I had to build corners. Since what I did was very wrong, I had to try something else to make mine look like the photo in the pattern guide. I didn’t rush and I concentrated, and low and behold my pentagon took on a new life as an adorable square.

I had a lot of feelings about this. Much like in my voice over journey, I learned not to rush, its a marathon, not a sprint. I learned to enjoy the journey, because it’s in the doing that a sort of evolution occurs. I could also see that even when someone very specifically tells you how they got to a certain point, that does not mean that you will get to that point using those steps. I think that as both a professional voice actor and a voice over coach, this mattered a lot. Simply, there just is not one right way, or one size that fits all, and you can help people and guide them, but much like my afghan pattern, there are variables.  Lastly, there is great joy in discovery. Much like finishing these beautiful squares, learning new genres, working on one’s VO craft, and booking work with new clients or repeat work with cherished ones is quite joyful, and all should be savored.

Filed Under: About Me, Business Management, Voiceover Tagged With: accountability group, bonding, choices, Crafts, Crocheting, female talent, Grandmother, granny squares, journey, Kim Handysides, Path, perfectionist, professional voice actor, skills, talents, VO, voice coach, voice over, voiceover

Tips to Choose the Best Voice Over Coach for You

July 2, 2019 by Laura Schreiber

This is, after all, the foundation of your career!

Recently another local mom who I am connected with on LinkedIn reached out and asked me if I could “point her son in the right direction” so that he can consider pursuing voiceover. After 5 plus years as a full time, professional voice over talent, I know better than to name names, but I can give you some pointers to think about when you are considering which voiceover coach to work with. It is a big decision, one that will hopefully shape the trajectory of your career, so you should think about these points.

https://youtu.be/JGK3ZznACsM

1.Is there a demo on the horizon?
Whether you are a newbie or an established talent, you will likely be coming at this from different angles. You may just be honing your skills, so a demo is not in play. If a demo is on the horizon, that changes things. I find it helpful to find other talents who worked with that coach. Listen to their demos. Are they booking? Do they have agents? Who are their clients? Do you actually like their demos? Do they sound current? Is this the sound you want for yourself? I have some demos that I am very very proud of and others that I am not happy with. I was not happy with the coach and for a multitude of reasons I still moved forward with the demo. I very much regret both the money that I spent, the time that I spent, and my own inability to see this coming, especially because it did not happen at the start of my career, but instead when I was a seasoned professional. It is what it is but I will not make that mistake ever again.

2. Does this coach give feedback in a way that you respond to feedback? Do you actually know how you learn? I am sensitive and while I wish that I could say business is business, I do best with positive reinforcement and constructive guidence. In my career I have worked with a few coaches who are harsh. One of them I could not tolerate and had to stop after several sessions. Another one I did persevere. The result is possibly my best demo. That coach was not mean, he was just also not sweet, and every session was very hard for me. Some coaches use a lot of acting techniques. Others have their own inventive, creative approaches. See what works for you and what you enjoy. Since you invest a lot of time and money in this, I actually believe it should be pleasant.

I have been fortunate to work with the best of the best. When you have the luxury of working with top coaches, if you are like me you hear their voices in your head when you work all day every day. Anne Ganguzza, J. Michael Collins, and Fred Frees are amongst the dream team that I have assembled, but I have worked with others who continue to inspire me!

3. Is the cost within reason? The reality is that this is a business and you need to earn money. often we hire coaches either while we are still working in other jobs and segueing in to voiceover. We all want to avoid demo mills that promise a demo after 5 lessons; but, at the same time, we don’t want to be on the hook forever. I once worked with an amazing coach who said a “demo is a reflection of where you are now.” So in a few years when your work changes you make a new demo, right? I like that, especially when I was starting out. But we all have room to learn and to grow, so at some point we can pull the trigger and move on. I have also supplemented coaching with classes. I have attended online classes through groups like GVAA and VO Peeps that are amazing. I have taken live classes at our local theaters in advanced acting and improv. I have gotten a lot out of these classes and just like with coaching, the classes are only as good as the teacher.

4. Think outside the box- there are known coaches and then are new folks and are plusses and minuses to both! I have worked with the biggest names in the industry and I have worked with folks just starting out. When you work with a proven coach who has a curriculum, you benefit from years of experience. You hope that they see your potential and that they correct your flaws. But this does not mean that if someone is new to coaching you should run for the hills. I have had coaches that I think are brilliant and they have had very few students. As long as they are committed to the process and to your success it can work very well. Their success as a coach is inextricably linked to your success after having been their student, so they typically want to the best for you.

5. Think about who is choosing the scripts- you or the coach.

I have had this work both ways for lessons as well as for demos. I have had to come up with scripts and write scripts. I have also had to work on scripts that I have never seen before, just like in real life. I think ultimately, for me, I prefer to have the scripts given to me. As a working talent, we don’t pick our scripts. And when they are well written, it seems like a miracle. An absolute miracle. So why would we write scripts that are brilliant, witty, pithy, and not at all like the majority of our actual day to day work? It’s practically a farce. I also think when the coach here’s our raw read it helps with audition technique too.

Conclusions:

When you are working with a coach, the question you have to ask yourself is are you continuing to learn and grow or have you plateau? Once you have plateaued, you either stop, or if the goal is the demo, you do the demo….

Filed Under: Voiceover Tagged With: Anne Ganguzza, classes, coaches, demo, demo mill, demo production, Fred Frees, GVAA, J. Michael Collins, professional actor, talents, VO, VO Peeps, voice coach, voice over, voiceover

Primary Sidebar

Laura Schreiber Voiceovers Recent Post

Recent Posts

  • Fiction Audiobook Narrator Award: Readers Favorite: We Won!!
  • Scheduling Tips to Book Like a Pro
  • I Practice What I Preach
  • Why You Need a Home Studio When You Start with a Coach
  • Crochet as Metaphor for Making it In Voice Over
Laura Schreiber Voiceovers Categories

Categories

  • Laura answers every correspondence with a smile and a prompt reply. In addition to RUSH jobs and quick turnarounds, guided sessions are available and Laura works hard to make every project perfect. Do not hesitate to call or email anytime :) The one exception to this is erotica. Should you need someone for adult content, all the best to you, Laura is not your gal, do not reach out.

  • This field is for validation purposes and should be left unchanged.

Laura Schreiber Female Voice Over Talent Contact Image

973.747.6800

laura@volaura.com

SKYPE: lauraschreiber324

ipDTL: Laura Schreiber Voice

Laura Schreiber Female Voice Over Talent Sourceconnect

LAURA IS REPRESENTED REGIONALLY IN THE UNITED STATES AND ABROAD.

MORE AT: lauranarrates.com

©2025 Laura Schreiber Voice. All rights reserved. PRIVACY POLICY.

Voice Over Site by Voice Actor Websites  // Site design by notobelladesigns.com.