laura@volaura.com

973.747.6800

  • Home
  • Demos
    • Demos
    • YouTube Bumper Demo
    • Commercial
    • Covid Response And Emergency Management
    • Radio Imaging
    • TV Affiliate
    • Narration
    • Audiobooks
    • Tours
    • Character
    • Kids Voices
    • Baby Voices
    • Promo
    • eLearning
    • Explainer
    • Telephony
    • Government
    • Medical Narration
    • French Commercial
    • Podcast
    • On Camera
  • Copy Writing
  • Studio
  • Clients
    • Testimonials
    • Awards
  • Blog
  • Contact

VO

Why You Need a Home Studio When You Start with a Coach

June 3, 2024 by Laura Schreiber

Getting Started in Voice Over

When people come to me for voice over coaching, they are at all different point in their VO journey. Sometimes they are quite experience but many are totally new to VoiceOver and are making the bold move to pursue their dreams. Building a strong foundation is extremely important, and my production partner Dave Scott and I work really hard to help our students learn things the right way from the start. Still, whatever regardless of when you plan to do your demos, it is really important to start practicing on an actual microphone with a preamp or interface in a studio setting for several reasons. Here are some thoughts to consider:

Learning  Mic Technique

Oprah quoteGood microphones are powerful. Whether you are starting out with middle of the road mics like the Rode NT1 or the Cad Equitek E100S, or investing in a more expensive microphone right away like the Neumann TLM 103, these microphones are condenser mics and will pic up all the sound in a large radius around them. You need to learn proper technique to best enhance your sound. Also, technique varies by genre. The way I work with my mic for conversational commercial reads or intimate reads is different. When I do video games I move around a lot and often back away from the mic, especially when I am shouting and doing effects. These are all skills I was taught and worked hard to hone, I did not wake up one day and just know how to do it. It takes time. And you do not want to walk into a studio for a job or worse for a booking and not have the skills necessary to rock that session!

Form Good Habits

Put simply, lessons are expensive. When you pay for a voice over coach or take a voice over class online, you are investing in yourself and your career. Whether it is the time spent with the coach in sessions, the time spent doing your homework in between sessions, or for daily practice, you need to be establishing good habits. You simply cannot do this without the pro equipment. You need to set up your studio so that you can prepare to be a professional. There is only one way to do this and you need to master your technique early on so that it is seamless when you launch your business.

You Might Have Diction Issues

No one in VoiceOver wants to have speech issues. Speech issues that I have had to deal with as a voice over coach range from diction issues, regional accents, articulation issues, plosives, and sibilance. If you only record on your computer and submit, it can be really hard for your coach to pick up some of these, or pick up the severity of some of these. Imagine speeding months coaching, getting ready for demo day, going to a pro-studio, stepping in front of a U87, and your coach hears a major diction issue they never noticed until demo day. What a disaster! This can, however, be easily avoided simply by setting up your professional home studio and working with your coach on real recording equipment.

Aristotle QuoteThe other side of this is that you need to become a critical listener of your audio too! You need professional headphones, or cans as we call them, that do not have a filter in them. You can not really hear how you sound without them, and you can not really hear what clients will hear or be listening to without them, so this is essential to your training!

You Need to Practice Recording and Editing

When you are working with a VoiceOver coach, you need to practice recording and editing they way you would when you would submit for an audition or a job. You can only do this if you have a functioning booth with a microphone, preamp or interface, computer with a DAW, and good cans. You need to practice editing your audio every day so that you get used to the ins and outs of your DAW and become efficient at producing pristine audio. Nothing else will suffice in this business. And it does not happen overnight, believe me!

Conclusions

I hope this has helped you better understand why you should not wait to set up your home studio! Timing matters a lot. While budget plays a factor for most people, even with cost in mind we can work with you to help guide your choices as your start to big gear for your home studio. It’s better to have it ready and get going and be well-practiced when your launch your business. For those of you thinking that you might get coaching, do your demos, then build your booth, that is not advisable. Read the blog again and re-think your plan! Now, best of luck in your VO journey!!

Filed Under: Business Management, Coaching, Studio/booth, Voiceover Tagged With: Articulation, audio, budget, cans, Dave Scott, Diction, gear, Habits, headphones, Home Studio, Interface, mic technique, Practice, Pre-Amp, professional voice actor, recording, Sound, Sound Proofing, Standards, VO, voice actor, voice over, voice over coach, voiceover

Crochet as Metaphor for Making it In Voice Over

May 18, 2024 by Laura Schreiber

Metaphor Between Afghan and VO

Last summer when I was on my voice over retreat with my accountability group, Kim Handysides taught us how to crochet granny squares. I learned to crochet as a little girl and have always loved all needle crafts, but there was something about sitting around

Branded Granny Squares
These are they granny squares Kim helped me start in my brand colors. I am making a tote bag.

with a group of women I was already close with and stiching and talking. It reinvigorated my love of crochet and somehow now linked it to my passion for voice over, so thank you Kim.

Anyway, as a little girl, when I was in second grade, my beloved Mommom Harriet taught me to crochet and knit. We started with crocheting. Her approach to both was the same. She wanted me to get it right. She encouraged me just enough so that I would not give up, and showed me what I was going to make, telling me that I would finish, but as I went along, for any mistake I made, Mommom pulled it out and had me re-do it. When something was nicely done she would say “beautiful work, Laura.” But, if a stitch needed correcting, she would look at it and sho me exactly where the last good stitch was. Then Mommom would pull the stitches out to that last good one, set the needles or hook back, and again I would re-start. Perhaps this is what got me so used to doing multiple takes in VO without flinching?

Well, since last summer, Kim really got me hooked on the granny squares. I decided to do an afghan club where the subscription sends me a kit each month. It is extremely exciting and fulfilling. Every month in the mail I get a package with beautiful yarns and

Happy Days Afghan
This is what the Afghan will look like

directions for the squares. At some point it will turn into a blanket. I chose a project called the “Happy Days Afghan.”

The more I work on this project, the more I realize that my approach to it is a rather solid metaphor to my approach to my voice over business. Like crocheting an afghan, our voice over career is a journey giving us multiple opportunities to try, do, and re-do until things look right for us.

How Long We sit With Things

Last month one of my squares turned into a pentagon. I felt fairly confident I had followed the directions flawlessly. I read them over and over. I counted stitches. I looked at the photo. Yet in my hands I held a pentagon, and what I needed was a square. I was not sure what to do. I thought perhaps I would hem it? Clearly any stitcher would no that would really not be okay. After about six weeks, I was looking at it again in dismay and a little bit of disgust. As time went on, my inability to get it right bothered me.

If this were voice over, and I weren’t booking, I would hire a coach or take online classes. I would talk to the gals in my accountability group. I would post on Facebook chats. So why, with the pentagon, was I just sitting there, stumped, paralyzed? When I did seek online help, I knew my stitches were correct, so the flaw was in my perspective, my analysis of the pattern.

Time to Reshape Things

Wanting to fix the pentagon was not about being a perfectionist, I began to realize just like in voiceover, it was about making my blanket what I wanted it to be. I kept hearing my Mommom’s voice in my head, and I got to a point where I just couldn’t leave it as it was. I think what was bothering me was that I had a pattern- a path- a roadmap as it were, and it still went wrong. I did my best and it was not right. So now It was time to re-do it. In VoiceOver, there is no road map for our career- we can build it and change paths, and we can talk to coaches but no one has a crystal ball and much like with my afghan, things can and will go sideways.

So two nights ago feeling the very strong presence of my grandmother I began pulling out stitches. I pulled out until the last good

Reshaped Square
The revised square!

row, just as she showed me as a little girl. The tricky thing in the square is that the early part of the pattern is round and I had to build corners. Since what I did was very wrong, I had to try something else to make mine look like the photo in the pattern guide. I didn’t rush and I concentrated, and low and behold my pentagon took on a new life as an adorable square.

I had a lot of feelings about this. Much like in my voice over journey, I learned not to rush, its a marathon, not a sprint. I learned to enjoy the journey, because it’s in the doing that a sort of evolution occurs. I could also see that even when someone very specifically tells you how they got to a certain point, that does not mean that you will get to that point using those steps. I think that as both a professional voice actor and a voice over coach, this mattered a lot. Simply, there just is not one right way, or one size that fits all, and you can help people and guide them, but much like my afghan pattern, there are variables.  Lastly, there is great joy in discovery. Much like finishing these beautiful squares, learning new genres, working on one’s VO craft, and booking work with new clients or repeat work with cherished ones is quite joyful, and all should be savored.

Filed Under: About Me, Business Management, Voiceover Tagged With: accountability group, bonding, choices, Crafts, Crocheting, female talent, Grandmother, granny squares, journey, Kim Handysides, Path, perfectionist, professional voice actor, skills, talents, VO, voice coach, voice over, voiceover

Mindfulness and Reaching Your VO Goals

April 26, 2024 by Laura Schreiber

Connection Between Mindfulness in all Goals

This month I decided to do a refresh with my amazing nutritionist team, Sugar Snap Shift. My cousin’s wedding is next week andGoals and confucious frankly I was nervous about fitting into my dress! While their tips and tricks are under a tight NDA, I started to realize that in addition to feeling better and losing weight, I was actually getting done all of the items on my “To Do” list, something that I confess has not happened for a long time. What I started to realize is that mindfulness in one area, like health, seems to have a trickledown effect into all realms. I know seem to be able to focus much better on reaching my VoiceOver goals,  feel like I am making progress, and feel re-invigorated. So let’s do a deep-dive and talk about mindfulness and VO goals!

Sorting Out Your Goals

There are some essential steps in reaching your goals:

  • Officially setting your goals or intentions matters. I do this multiple times a year and keep them visible in both my work spaces.
  • Be organized in your daily/weekly planning to make sure that you are meeting your goals.
      • Consider time blocking your schedule.
  • Set yourself up for success. Are you in an accountability group to remind yourself?
          • Do you celebrate and acknowledge meeting bench marks?
          • Do you have industry friends to help you sort out realistic goals?

Areas to Consider when Working on Voice Over Goals

As a full time, professional voice actor, one of the easiest tasks to push to the side is marketing and out reach. Recently, I have found that I am making an effort to get all of my marketing initiatives done! I have tried to be creative. I have teamed up with other voice actors to pursue new leads and I am trying to be creative in my approach, using branded content in a fun an engaging way. If you are excited and proud of your marketing, you are more likely to do it.

Be mindful of audition deadlines. You never want agents and producers to have to chase you down. If an audition is due at 10 AM on a Tuesday, and you could be great for the part, submit. Don’t miss out on a great opportunity because your timing is off! Make sure to continually submit high quality auditions on time.

Keep working on your craft. Voice over is an industry where trends change, especially in genres like commercial. The outside world very much influences what creative directors are looking for in our read. Make sure when updating your goals to continue to work on your craft through on-going coaching. Just like in other professions, on-going professional development is the norm in our industry if you want to continue to book.

Determination and focus come in waves, that’s normal. Being mindful is a skill that is honed with practice. We all have days when we are more motivated than others, but if you push yourself to stick to your routine, and make sure that you submit, market, and work on your craft, you will have more of those good days.

Feeling Good About Things

So I am on a journey to health and wellness with my nutritionists. I need their support because I can’t do it alone. Good recipes and good intentions are not sufficient for me, I have found that I need a paid team who has any back and helps me through each day. Even with this team, some days are harder than others. I have a life time of habits and patterns  that I am trying to to turn around, and simply following them on social media is fun but is not enough to reach my goals.

When I work with the Sugar Snap team, I always start out by cleaning out my house of the junk. I get read of any chips or cookies or sweetened chocolate I might have around. I try to set myself up for success in every way possible. Somehow spending the money on my work with these gals gives me a greater sense of purpose.

Reaching goalsMuch of the same applies to voice over. How might you clean out “the junk” in your VO way? Might it be avoiding negativity or the ill-informed on social media?  Why do we assume, in an industry filled with so many talented people, and now we have AI to contend with, that we can work through all of this alone? The simple answer is we cannot. In order to reach our VO goals we need: an accountability group, industry friends, great coaches, reliable engineers, supportive agents and rosters, and good habits. When all of that is in place AND we make an effort to follow through, only then are we lining ourselves up for success. In the final analysis, it is clear the mindfulness begets mindfulness, and mindfulness leads to finding your goals within reach!

Filed Under: About Me, Business Management, Voiceover Tagged With: Coaching, craft, determination, focus, getting it done, goals, Marketing, mindfulness, mindset, outreach, professional voice actor, training, VO, voice over, voiceover

Case Study in Good Customer Service: Trader Joe’s and What Can Be Learned

February 13, 2024 by Laura Schreiber

The Text

Yesterday morning my husband and I woke up to a text from our daughter Emma. Emma is a sophomore in college a small liberalMe and Emma at school trop off arts school in central Pennsylvania called Elizabthethtown College. She texted us this photo of gluten free donut holes. She said she urgently needed us to go to Trader Joe’s right away to get them for her. She was concerned that they would sell out immediately. Even though Emma has a car, there is no Trader Joes near her school so she was very much hoping we could help her out with this.

Our Mission

Harlan had to travel for work yesterday, so tasked with our highly sensitive and urgent message, as soon as the store opened I went to Trader Joe’s, armed with my iPhone so that if need be I had the photo. First, I did two laps myself, looking in the logical places I thought they would be. No dice, the donut holes were no where to be found.

The Rescue Team 

Not wanting to disappoint me super sweet kid, both because she is super sweet and because I am totally Type A and could not Trader Joe's Donut Holesleave without the donut holes, I sought assistance. The first guy was working on oranges. He went to where he thought they’d be. They were not there. He pulled in another gal who then pulled in a third woman from the bakery who then pulled in a fourth woman, a manager. So yes, I had FOUR people helping me look for the donut holes. We worked hard and were thorough. Two of them were positive they had been in the store.

Ultimately, the manager took to the computer. She discovered that the highly coveted donut holes needed to be special ordered. They placed an order and told me to call tomorrow morning and that they would set some aside for us. I felt so valued and was so appreciative of the help. Then, as if that was not enough, they let me take a lollipop even though I had not located the stuffed turtle hidden somewhere in the store. I’m not kidding.

Customer Service Takeaways

If Trader Joe’s was being ranked as a business or a super marked or for what kind of human beings they were, basically on every single lever, they deserve an A plus plus. As voice actors, we can all learn a lot from their behavior and over all mentality so let’s take a moment to dissect what happened at Trader Joes:

  • They were a shining example of team work. One person did not need to steal the show. They worked together to accomplish a common goal. In voice over some of us have the opportunity to work as a team. Whether we are demo producers and have partners, or work on a multi-talent cast, or are at a conference and are on a panel with industry friends, sometimes we are fortunate enough to work with others. This is our moment to take a note and lift everyone up. It goes back to the old falcon saying, “the rising tide lifts all the ships in the harbor.” This has always been my experience in VO, and it was for sure my experience at Trader Joe’s. I am quite sure this is why the store is packed as soon as the doors open on a Monday morning, and if you want your voice over business to be booming, this is a great lesson to learn!
  • In this incidence, the price tag didn’t matter. I did not go in saying I needed 100 boxes of donut holes. I was not some prized Trader Joe’s client. Yet each member of the team treated me like I was the most important sale of the day. I will confess that this is an area where even I need to do some re-thinking. I do not treat all of my clients the same. I certainly will treat a national spot differently than a $200 one-off gig. Perhaps this needs to be re-thought. It made me feel really good to be helped and values, period.
  • At Trader Joe’s the employees bent over backwards to help. I do always try to do this. Whether I have a voice over client, a demo client, or a coaching client, I want their experience working with me to leave them feeling exceedingly happy. In a business like VO where clients have an abundance of choice on all fronts, I am extremely appreciative of their trust in me and in return I ben over backwards to work as hard as I can to do a good job.
  • At Trader Joe’s the entire experience, from beginning to end, with the lolly pop, was extra. I try to do this! I am always reachable. I have helped get students on rosters of clients and agents. I have redone their resumes. I audit their auditions. But being extra is typically not something that is asked of you, it’s just something you bring. So my friends, bring it!!
  • Most importantly, my recent shopping experience left me, the, client feeling valued. When it comes time to go back… where will I go? That’s right. And that is how we want each and every one of our voice over clients to feel.

We want to do our very best in voice over always. Well often times being and doing our best has nothing to do with our sound and our audio. A lot of the time it has to do with who we are, how we treat others, and the services we provide that go beyond our voice. 

Often the voice over is the last piece of the puzzle. Video producers and others who are casting may come to you very close to the deadline and need help to make their project incredible. We have an opportunity to take their time of stress, take them by the hand, and turn it into something wonderful. As someone who also coaches and does demos, it’s the same thing. I can use this as a defining moment in someone career to help make it memorable. My experience in Trader Joe’s can only be described as excellent. I only want to leave my clients feeling this way. 

Filed Under: Business Management, Client Relationships, Voiceover Tagged With: case study, customer service, demos, Experience, opportunity, Service, Trader Joe’s, VO, voice over, voice over coach, Voice over Demos, voiceover

Lessons Learned From Recent Live Session

February 28, 2023 by Laura Schreiber

When You Do A Lot Of Live Sessions, What Makes One Standout?

Life is Short, eat chocolateAs a full-time, professional voice over actor, I typically have multiple live sessions every week. Most of my clients prefer Source Connect, and in truth I am so used to that at this point that I do too. On Monday morning, my first session of the week, with new clients, was over Teams. That was fine, so that was the first item that stood out. The second was that I was the only one with my camera on. Next, we were all in different countries. I was in the United States, and they were scattered from Italy to the UAE to Bahrain to India. I believe there were nine of us on the call, but possibly more. This session was different because this group was very chatty and wanted to talk amongst themselves a lot. They also wanted me to hang out while they edited their video, which is not standard, but luckily I had time on the other end and I could accommodate. So, from the get go, this session was different in all kinds of ways.

Why I Was SO Excited About this One

Well, if you know me you know I love chocolate. If I had to have one food on a deserted island, it would be chocolate. This commercial was for Ferrero Rochet. Not only do I particularly enjoy their delicious candy, but I also love that it is a brand that is eaten all over the world. This spot will run in the entire GCC, in places like the UAE, Bahrain, Saudi Arabia, Qatar, and more. I think it is pretty awesome that this little candy also serves as a cultural bridge of sorts. When I think about many of these places that will view my spot, none of which I have ever had the privilege of visiting, and I think about their culinary traditions, I confess that I never imagined this decadent chocolate as part of it. I was delighted to know that we share this.

We Have More In Common

Have friends with chocolate At the start of the session, the creative director wanted to make sure that I understood both the branding and the traditions surrounding Ramadan in the region. While I had, as I always do, done brand research in advance of the session, I was very pleased to learn about the traditions surrounding Ramadan, like the way that they decorate their homes with twinkle and fairy lights, in the importance of gracious hospitality in this festive holiday season. He also spoke of the emphasis of the changing and more egalitarian roles that their footage was clearly depicting. As I watched the footage and listened, I was struck by how many common shared values our cultures shared, especially with all of the spring holidays coming in the States. I was delighted by what I learned and it certainly informed my read.

The Technical Stuff

Secret Ingredient

The trend for almost all my commercial bookings of late is the conversational read. Clients always want the reads to sound authentic, like I am talking to a friend. Well, authentic and relatable were not the sought after tones in this session. And don’t forget, that when taking direction, it is about giving the client exactly what they ask for. I happen to know the brand well as I often transcribe their scripts when coaching. Yet, the direction that I got went well beyond what I anticipated. The clients wanted every word of every line to be measured. In the VO coaching world we often say that if everything is important then nothing is important. But the client wanted every word emphasized the same way, and he gave precise readings for how he wanted each line broken down. The pacing was not conversational. He did not want the rhythm and the cadence to vary. He wanted every. Single. Word. Measured.

 Pronunciation was another interesting part of the direction. Even though the team specifically wanted a voice actor with an American accent, certain words were non-negotiable. One of those words was “Ramadan.” They instructed me to pronounce it like rum-a-done. Next, the word “sweeter” was very important. They wanted me to hit the “ter” hard. We never do that here, but that is how they wanted the word said. So, that is how I did it.

Don’t Sound Happy. Umm, What?

Perhaps the most confusing bit of direction was the “don’t sound happy.” If you don’t already know, my tagline used to be “The Sound of Happy.” So, my voice sounds pretty happy, just on its own, without doing anything, this is how I sound. This bit of direction was tricky. I’m sitting there reading a script about a product I love, with a care bare hanging over my head (because it makes me happy) trying to sound, basically, unlike myself. I decided to flatten out the read and just try to be void of all emotion. I had to stop smiling,  which is also hard because I am a smiley kind of gal. I did, in that moment though, question their casting choice.

Conclusions

Not all live sessions are the same. Give yourself the grace and time to listen to what the clients want. If they want a live session, it is either because the really want to direct you, because they are legally obligated to have someone on the team present when you record, or because they cannot please the commercial script without being there. All of these things matter, a lot. So make it great for them. Don’t talk money during the session, ever. This session ran over in time which almost never happens with me. Most of my sessions are pretty short. My instinct was to say nothing and smile while they chatted about their choices and options. Afterwards I spoke with the producer and he confirmed that it never goes well when the VoiceOver actors start talking about money and time with the end users, who typically have nothing to do with our rates. In the end, smile and breathe and hope that they have the courtesy of sharing the final cut with you to promote!

Filed Under: Uncategorized Tagged With: branding, chocolate, commercial, commercials, creative directer, Ferrero Rochet, guided session, live session, luxury, pacing, playback, producer, pronunciation, Ramadan, recording, Source Connect, taking directions, teams, VO, voice over, voiceover

How to Publish a Public Domain Audio Book

December 19, 2022 by Laura Schreiber

Why Publish Public Domain book?

pile of booksJust like other genres of voice over, when you are new to audio books, you need to build your street credit. The more titles you have under your built, the more experience you gain. It is hard, however, to book work without titles to your name. A great way to do this is to narrate books that are already in the “Public Domain.” That means that these books have been published more than 100 years ago and are free for anyone to work with. The other good news is that every January more books become part of the public domain! I had gone to Karen Commins’ site Narrator’s Roadmap, which can be found here https://www.narratorsroadmap.com/ and found a wealth of information. I have actually paid for access to her videos and am so thankful for that information. If you, like me, are new to audiobooks you may also find this site to be a blessing!

Find Content On Gutenberg

The easiest place to find public domain content is at https://gutenberg.org/. There you can search and download titles. I used this site myself to create a master spreadsheet of many titles I am interested in narrating. Then when I have downtime in between actual  VO bookings, these are projects I can turn to to fill my audiobook goals. Keep this spreadsheet in a place you can easily access. You can have a lot of fun finding works in different genres. For instance, this week I recorded both a History title and a Poetry book. 

Publishing on Kindle

eBookYou will want to upload your public domain book for kindle. In order to do this you need to do a few important things!! First, you need to create a separate and unique email address, different that the other address you use as a narrator on acx. Make sure that it is something that you can remember. 

The other important step is that you need to make your version of the public domain book different than the existing versions in order to claim it on Kindle. For instance, for the books that I have done, I researched and wrote forewards that I found interesting. For the poetry book I just did, I wrote and article about why it is important for children to read poetry. Once you do this, merge the PDFs to create one version. Then, upload that version in a format that kindle takes, like epub. I use zamzar to do this. The link is in the list below. 

Note, you will need to create your own cover art! I also create mine at this stage, prior to beginning the upload process. I like to make my cover art both on canva or on an app called word swag. I make it in a square shape and I tend to make two versions, one for the kindle and one for ACX. I love creating content for social media, so I actually find this step fun. You can be creative and really make this your own. Again, this is another way that differentiates your public domain version, so you might as well make it something that stands out to you. I very much enjoyed having a chance to create the two that I worked on this month.

Once you have completed these steps, as the rights holder you can go to https://kdp.amazon.com/ and publish your version of the public domain book on kindle. Once the book is live, which takes about 72 hours, you can then create the audio book. 

Publishing Your Audio Book

Once Kindle has approved your ebook,  you can go into ACX and upload the audio. 

You still need to meet all of the ACX standards and have the audio divided properly (opening credits, closing credits, body to match table of contents, retail sample, etc….)

I have to say, having just completed my second project, I was elated to have finally figured it out. In a seven week period, I booked three titles on ACX and published two of my own. It honestly feels great!

To Make sure this is easy for you to follow, here is a breakdown of the steps that I took: 

List of steps:

  1. Find public domain source to narrate using https://gutenberg.org/
  2. Download and save your version.
  3. Write a foreward or do something to make your version unique. Save that additional copy.
  4. Merge the two pieces of copy into one PDF.
  5. Save this as an “epub” file using https://www.zamzar.com/. You’ll need that format to upload. 
  6. Create cover art. You can do this using canva or an app like Word Swag. You can save the file as a jpeg. Note that A CX has different file size requirements than kindle for this file and you can create one image and use something like preview if you are on a Mac to change the file size.
  7. Log in using your “Rights Holder” account. Publish your ebook at https://kdp.amazon.com/.
  8. Once the ebook is live, go to acx.com to upload the audio.
  9. Record your audio per ACX standards.

Lessons Learned Since Initial Blog Posting

Well, it turns out sometimes there are some snags in the road of public domain audio books! When choosing your book, if possible, try to also look for a book that has not been done or has not been done often. I was approached in March at the APAC conference by fellow voice actor, audiobook narrator, and industry friend Steve Corona and he shared with me that he had done a public domain book recently. Steve spent a good bit of time on this project, as these manuscripts can be quite long, and he was prevented from posting it as Audible said there were already too many titles like his in existence. Steve and I got together to discuss this and you can find our chat here.

Believe it or not, after Steve and I had this chat, I had the same experience! I recorded Mother Goose. I was super excited about my version, which bizarrely is still alive and well on Kindle, and just four days after going live on Audible, I received a message through ACX that they were taking it down! I was flabbergasted because they let it go live in the first place. I spent days working on this and it felt like such a loss. I have another project in limbo write now, that Kindle does not seem to want to let me upload, and I am not sure what will come of that.

So, you might be wondering what we can do? I have turned to Spoken Realms. I did learn about this on Narrator’s Roadmap as well. Now that I have more than a dozen titles under my belt, I felt more confident in reaching out to them. I am delighted to say I was accepted to their site and they have approved my first project which is in process now. Here are a few notes about getting started on Spoken Realms in case you, like me, decide to try that:

  • I was advised to wait until I had done upwards of 6 or 7 books.
  • Their recording specs are quite different than ACX, so I actually think that having a bit of experience will help you better meet the requirements of Spoken Realms.
  • The project I submitted has no other versions at present on Audible. I have no idea if that impacted their decision to accept it or not, and I will let you know via blog what my experience is like going forward!

Filed Under: Audiobooks Tagged With: ACX, Audible, audio book narration, audio books, epub, Gutenberg.org, public domain, Spoken Realms, VO, voice over

  • Page 1
  • Page 2
  • Page 3
  • Interim pages omitted …
  • Page 20
  • Go to Next Page »

Primary Sidebar

Laura Schreiber Voiceovers Recent Post

Recent Posts

  • Fiction Audiobook Narrator Award: Readers Favorite: We Won!!
  • Scheduling Tips to Book Like a Pro
  • I Practice What I Preach
  • Why You Need a Home Studio When You Start with a Coach
  • Crochet as Metaphor for Making it In Voice Over
Laura Schreiber Voiceovers Categories

Categories

  • Laura answers every correspondence with a smile and a prompt reply. In addition to RUSH jobs and quick turnarounds, guided sessions are available and Laura works hard to make every project perfect. Do not hesitate to call or email anytime :) The one exception to this is erotica. Should you need someone for adult content, all the best to you, Laura is not your gal, do not reach out.

  • This field is for validation purposes and should be left unchanged.

Laura Schreiber Female Voice Over Talent Contact Image

973.747.6800

laura@volaura.com

SKYPE: lauraschreiber324

ipDTL: Laura Schreiber Voice

Laura Schreiber Female Voice Over Talent Sourceconnect

LAURA IS REPRESENTED REGIONALLY IN THE UNITED STATES AND ABROAD.

MORE AT: lauranarrates.com

©2025 Laura Schreiber Voice. All rights reserved. PRIVACY POLICY.

Voice Over Site by Voice Actor Websites  // Site design by notobelladesigns.com.