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recording

Lessons Learned From Recent Live Session

February 28, 2023 by Laura Schreiber

When You Do A Lot Of Live Sessions, What Makes One Standout?

Life is Short, eat chocolateAs a full-time, professional voice over actor, I typically have multiple live sessions every week. Most of my clients prefer Source Connect, and in truth I am so used to that at this point that I do too. On Monday morning, my first session of the week, with new clients, was over Teams. That was fine, so that was the first item that stood out. The second was that I was the only one with my camera on. Next, we were all in different countries. I was in the United States, and they were scattered from Italy to the UAE to Bahrain to India. I believe there were nine of us on the call, but possibly more. This session was different because this group was very chatty and wanted to talk amongst themselves a lot. They also wanted me to hang out while they edited their video, which is not standard, but luckily I had time on the other end and I could accommodate. So, from the get go, this session was different in all kinds of ways.

Why I Was SO Excited About this One

Well, if you know me you know I love chocolate. If I had to have one food on a deserted island, it would be chocolate. This commercial was for Ferrero Rochet. Not only do I particularly enjoy their delicious candy, but I also love that it is a brand that is eaten all over the world. This spot will run in the entire GCC, in places like the UAE, Bahrain, Saudi Arabia, Qatar, and more. I think it is pretty awesome that this little candy also serves as a cultural bridge of sorts. When I think about many of these places that will view my spot, none of which I have ever had the privilege of visiting, and I think about their culinary traditions, I confess that I never imagined this decadent chocolate as part of it. I was delighted to know that we share this.

We Have More In Common

Have friends with chocolate At the start of the session, the creative director wanted to make sure that I understood both the branding and the traditions surrounding Ramadan in the region. While I had, as I always do, done brand research in advance of the session, I was very pleased to learn about the traditions surrounding Ramadan, like the way that they decorate their homes with twinkle and fairy lights, in the importance of gracious hospitality in this festive holiday season. He also spoke of the emphasis of the changing and more egalitarian roles that their footage was clearly depicting. As I watched the footage and listened, I was struck by how many common shared values our cultures shared, especially with all of the spring holidays coming in the States. I was delighted by what I learned and it certainly informed my read.

The Technical Stuff

Secret Ingredient

The trend for almost all my commercial bookings of late is the conversational read. Clients always want the reads to sound authentic, like I am talking to a friend. Well, authentic and relatable were not the sought after tones in this session. And don’t forget, that when taking direction, it is about giving the client exactly what they ask for. I happen to know the brand well as I often transcribe their scripts when coaching. Yet, the direction that I got went well beyond what I anticipated. The clients wanted every word of every line to be measured. In the VO coaching world we often say that if everything is important then nothing is important. But the client wanted every word emphasized the same way, and he gave precise readings for how he wanted each line broken down. The pacing was not conversational. He did not want the rhythm and the cadence to vary. He wanted every. Single. Word. Measured.

 Pronunciation was another interesting part of the direction. Even though the team specifically wanted a voice actor with an American accent, certain words were non-negotiable. One of those words was “Ramadan.” They instructed me to pronounce it like rum-a-done. Next, the word “sweeter” was very important. They wanted me to hit the “ter” hard. We never do that here, but that is how they wanted the word said. So, that is how I did it.

Don’t Sound Happy. Umm, What?

Perhaps the most confusing bit of direction was the “don’t sound happy.” If you don’t already know, my tagline used to be “The Sound of Happy.” So, my voice sounds pretty happy, just on its own, without doing anything, this is how I sound. This bit of direction was tricky. I’m sitting there reading a script about a product I love, with a care bare hanging over my head (because it makes me happy) trying to sound, basically, unlike myself. I decided to flatten out the read and just try to be void of all emotion. I had to stop smiling,  which is also hard because I am a smiley kind of gal. I did, in that moment though, question their casting choice.

Conclusions

Not all live sessions are the same. Give yourself the grace and time to listen to what the clients want. If they want a live session, it is either because the really want to direct you, because they are legally obligated to have someone on the team present when you record, or because they cannot please the commercial script without being there. All of these things matter, a lot. So make it great for them. Don’t talk money during the session, ever. This session ran over in time which almost never happens with me. Most of my sessions are pretty short. My instinct was to say nothing and smile while they chatted about their choices and options. Afterwards I spoke with the producer and he confirmed that it never goes well when the VoiceOver actors start talking about money and time with the end users, who typically have nothing to do with our rates. In the end, smile and breathe and hope that they have the courtesy of sharing the final cut with you to promote!

Filed Under: Uncategorized Tagged With: branding, chocolate, commercial, commercials, creative directer, Ferrero Rochet, guided session, live session, luxury, pacing, playback, producer, pronunciation, Ramadan, recording, Source Connect, taking directions, teams, VO, voice over, voiceover

VO Workflow Tips From a Pro!

April 11, 2021 by Laura Schreiber

As a working mom, there are only so many hours in a day. In order to maximize my time, whether I’m in the studio recording or in my office space doing client out reach and marketing, efficiency matters. Over my years as a voice over professional, I can tell you that these tips have made a difference for me in terms of my work flow. While every voice actor has to find their own flow, my hope is that some of this helps you too:

1. Choose the DAW the Works for You

Signal FlowDepending on which voice actor you ask, you’ll get a different answer to the questions “What’s the best DAW for VO?” I have used Audacity, Adobe Audition, and Twisted Wave. I may be proficient in all of them, but I LOVE Twisted Wave. To be clear this does not mean that other DAWs, from Reeper to Pro Tools don’t have immense value, but for me, I am quick and good on Twisted Wave. It serves my purposes well. And when I have a client who needs total production with music, I hire a professional engineer to mix it down anyway, so I really can do all that I need to do on Twisted Wave. Some of my favorite features are the shortcuts, multiple effects stacks, and ease of file splitting.

2. Put Phone in Airplane Mode

Airplane modeWhen I am in my booth, I turn my iPhone and Apple Watch to airplane mode. I do this because when I develop a good flow, I do not want the phone ringing to interrupt me. I do offer one word of caution: if you are doing a live session and you coincidentally cannot connect with your client, and have all your devices in airplane mode, it can be quite frustrating if they are unable to reach you. So, while you may not want your phone in the studio for a directed session, perhaps before you silence everything you should make certain that you connect.

3. Do All Recording Then All Editing at Once

This is a wonderful tip that I got from he amazing Kim Handysides. Before I learned this, I used to record an audition, edit an audition, and submit an audition. Upon Kim’s suggestion, I started recording my auditions the same way I record and edit eLearning. I record all of the auditions I’m doing in a given block of time. I drop markers in them, edit them en masse, split the files, and then submit. It really does go much faster this way. If you have shortcuts in your computer for things like your name and your email, then naming your files will go even faster. If you do not know how to use markers and split files, learn today, it will change your life.

https://youtu.be/kI8lIKLN0Sg

4. Plan Your Week With Your Goals in Mind

Weekly Planner SampleLike many in voiceover, I am constantly revising my business plan, shifting my focus from commercials to explainers to elearning to targeting specific industries. As I revise my plan, my goals change. While I have a planner or agenda that I love, I find that mapping out my strategy for the week helps me to keep my mind on the big picture. As auditions and work pours in, it’s easy to get caught up in the little things and push off the tasks that we think can wait, but in doing so, in pushing off those marketing emails and that LinkedIn outreach, we are pushing off the pursuit of our longterm goals. It is so important to always have an eye on your “why.” If you lose site of that, and you are just buys submitting audition after audition, you can easily get stuck in a rut.

5. Arrange Your Equipment for Efficiency

  • Laura Schreiber' Studio is Arranged for EfficiencyIf your fan makes noise,  only have a monitor in the booth, and put your computer outside the booth. After years of running to get ice packs, I got out my drill, made a hole in the wall to the desk, and hooked up a monitor. This has saved me so much time over the years.
  • You may a need dedicated printer for your booth, so that you are not constantly running to other parts of your house when you need to print work related items.
  • I have two pairs of cans, in and out of booth, so that I can edit or direct where I’d like.
  • Place hooks in thoughtful places. I have a hook for my cans on the wall which has been the biggest life saver. I also have a hook under my desk for cables. This has been useful as well.
  • Shelving can be quite strategic. I built a custom shelf for my preamp. It is perfect.

The point is that my equipment is arranged in a way that supports my work flow. From the angle of the monitor to the placement of the electrical outlets, it has all been done with efficiency in mind. It all matters.

After years in the business, I can say that I am constantly learning from my peers and improving my set up and choices. Be willing to try new things, you might be shocked at how it revolutionizes your work day!

Filed Under: Voiceover Tagged With: air plane mode, audio, booth, cans, DAW, editing, editing audio, effect stacks, efficiency, file splitting, goals, headphones, markers, monitors, phone, printers, recording, studio, studio equipment, tips, twisted Wave, voice actor, voice over, voice talent, voiceover, working mom

When A Voice Actor Gets Violently Ill While Recording

November 15, 2020 by Laura Schreiber

I Saw It in The Sound Wave First

Laura's wave form showing mouth clicksLate Friday afternoon I was in my booth recoding a bunch of agent auditions that had come in. Initially I felt fine. I had completed all of my booked work and I wanted to submit a few more reads before I called it a day. I typically don’t have a lot of mouth clicks when I record. I do run Izotope RX7 as part of my effects stack, which takes care of whatever clicks there are, but I tend to stay hydrated and am not so clicky, especially since I gave up caffeine. I noticed that even though my noise floor was the same as it always is, I had a crazy amount of spikes and clicks present that I do not typically see. This was 3 to 5 minutes before I became violently ill and had to run from the booth, I could see what I had no idea was about the be a horrible case of food poisoning, in my audio!

Within minutes, I had gut wrenching pain, could not stand, and was horrible nauseous. I almost fell over my puppy Daisy trying to run from my studio. It was brutal. I did make it upstairs in time, but had gone from functioning and working to completely ill and a total mess in moments. It was terrible.

The Nutrition Challenge

The food poisoning came on in the middle of a nutrition challenge I have been doing. After all, in the midst of a global pandemic, what could be more important that putting my health first? And as a working mom, staying healthy and cooking good food, and presenting an over-all healthy lifestyle for my family, is always a priority. I also find that there is a direct correlation between my food choices and the way that I sound, so this nutrition challenge was right up my alley.

Since I typically try to eat well, why was this challenge unique? Well, I had been eating a lot more raw vegetables than usual and avoiding any processed carbohydrates. I still eat carbohydrates like sweet potatoes and squash, I just have been avoiding gluten free breads, cereals, and pastas. I had also been eating A LOT of salad. When a say a lot, I mean consider a normal amount, and then for me, the past two weeks had been more than double the amount of salad eating I ever do. It had been an insane amount.

In the midst of a nationwide romaine recall in 19 states, I believe that I got profoundly ill either from romaine lettuce or from an autumn lettuce blend, the latter more likely being the culprit. Whatever the cause, after epic vomiting, I was left dizzy and with a fever that hovered around 100 for 48 hours and alternating between chills and sweats.

A Forced Rest

Laura Schreiber on Sofa with Her DogsAs a small business owner, I work all the time. Typically on the weekends I work less, but I still work at points every day. This food poisoning forced me to pause. I was not even sure on Saturday if I would be ok for my like sessions on Monday, but I know realize I will be. Talking is hard, sitting up is hard. Sometimes the forced rest is essential to get back to where we were. I guess it is an opportunity to reset- to restart. In truth I have no other option, when one is so dizzy that going up and down the stairs feels unsafe, the rest is the only option. In lieu of any work, I laid on the sofa in my den surrounded by my dogs and tried not o move at all.

The Implications

As a voice over actor, our business is our baby and it is hard to set it aside for even a moment. When you have such a profound passion, even some intense vomiting does not dampen the passion. But the vomiting makes it virtually impossible to work and to work well. To act well, we have to meaningfully engage with our copy and easily switch from role to role, whether it’s the millennial commercial voice or an engaging professional in an eLearning narration. When you cannot sit up straight and you are burping a lot, it is pretty impossible to connect with the copy and be present in the moment as your stomach is really calling all the shots. Unless you have a great character gig as a burping child, this is really not the time to be in the booth.

The opportunities that arise here are ones for communications. If any work needs to be rescheduled, it should be done right away. I was fortunate, if ever there was a time to get sick, Friday afternoon was a good one. I had time to recover. I did not miss any booked work, I did not need to move any sessions, I did not need to notify anyone of my convalesced state. Believe me, I have had to do all of those things in the past, and you feel terrible to let a client down, so being able to work is a good feeling. I was lucky that considering how sick I got, it happened over the weekend and I will be ok.

Filed Under: About Me, working mom Tagged With: audio, booth, burping, character, commercial, elearning, food poisoning, healthy living, izotope rx7, mouth clicks, recording, rest, romaine recall, salad, sick day, small business owner, sound wave, VO, voice actor, working mom

Life as a Working Mom This Week

August 16, 2020 by Laura Schreiber

What this Week Was Like

This week was one of those weeks that all moms dread. Jack, the younger of my twins, had to have emergency GI surgery that involved an over night hospital stay. He had a rare intestinal problem that he was born with but was not an issue until now, at age 17. The suffering that led up to the surgery was great, and the surgery was pretty major. In truth the surgery was a bit of a relief as it made all of us feel that Jack was now on a path to wellness, including Jack.

Last week I blogged about how I was distracted because of the surgery and it effected me in a live session. Well, in truth our role both as mother and wife and as solopreneur and small business owner does not stop. Even if we set time aside to be present when our kids are convalescing, no one else will run our business or our home in our place. My husband is amazing in every way. We coordinate about every thing. Those industry friends who have met Harlan know that he is always happy to help. But any working mom will tell you but we all have our roles and when something comes up in life to change our routine, it often just means that our routine as a working mom is temporarily more challenging. When I saw the feature image posted, it really resonated with me. Sometimes those of us who succeed in voice over are the do so because we have tremendous ambition, so under normal circumstances the idea of letting go of any thing is absurd. When you have a member of your family who is sick or recovering, this is essential to maintaining what you have worked so hard to build.

Our Job Doesn’t Stop

The Struggle has meaningThe Struggle has meaningWhen Jack went in the hospital I went back and forth about whether or not to put an “out of office” reply on my email or to continue responding to clients email by email. The day of his procedure, I had two voice over bookings come in that could wait until the next day, so I waited. I was fortunate that the bookings were both from long-standing clients that I felt comfortable telling I needed to delay recording. While in the hospital, I was able to do busy work tasks like web site updates that I had already made lists about and organized. I was not able to do marketing and correspondence. Creative work that required thought and patience just wasn’t going to happen while waiting for a doctor to come out and talk to me. My heart just was not in it. So, in some respects I was able to maintain business functions while Jack was in the hospital and with other tasks I was not.

When Jack came home, I was able to maintain somewhat of a “normal” work flow and rhythm. Instead of staying down in my studio for a good part of the day as I typically do, I would record for 30-40 minutes at a time and email the audio to myself so that I could edit while sitting by Jack’s side. I was able to then continue to audition and record booked work while he recovers at home. While it sounds great, the up and down was exhausting and the week has been challenging.

Our Household chores Don’t Stop

Household Chores Don't stop: Laura Schreiber in the kitchen and with school booksWhile I may have figured out how to manage my business responsibilities while Jack has been recuperating, doing that while also managing my home life has been tricky. I typically cook for my family. They fend for themselves for breakfast and lunch, and I prepare dinners. I now have to take care of Jack all day every day, and frankly I don’t feel like cooking. I did make quiche one night, but the rest of the nights we have gotten takeout. It’s the sum total of managing everything that is tricky, including: laundry, cleaning, homework help, bills, putting everything away, the dishes, and the list just keeps going. And I often feel that as soon as I finish one thing around the house, there are ten others waiting for me. I have a daily regimen chopping vegetables and filling kongs to freeze for my dogs, and all these little things add up. With Jack recovering and work, it’s a lot.

We Juggle

as moms we juggleAs a full-time working mom, we juggle. That is what we have always done and I know that I will get through, but when you have a routine, and that routine changes, it is hard. I am profoundly thankful that my daughter and my husband are helpful, but if all of this happened and it were not a pandemic, I know my mom and sister would be here for added support too. I really miss that. So I will continue to do what working moms all over do, juggle. I will find new ways of getting it all done, of making it all work, of getting my work work done, my house work done, and making sure my family feels loved and secure.

Why VO is Amazing

So as a working mom, I will say that working in the voiceover industry is amazing for many reasons, and this week has been no exception. Friday I woke up exhausted. Between sleeping in the hospital and sleeping in the sofa in my den since Jack could not go up the steps, I was quite low energy on Friday. At the end of the day I had two new commercial campaigns come in. One needed to be submitted on Monday, and one needed to be in over the weekend, so I decided to record on Saturday. When I was in my booth yesterday, I was thinking bout how blessed I was to set my own schedule. I was so thankful to have the ability to determine what made the most sense of me and for my family. I was so thankful to be able to not record on Friday when I was exhausted and to savor my time in the booth on Saturday. It was also great to know that I was leaving my son sitting with his sister who loves him at a time that was good for everyone when I did go to record. I am so thankful as a working mom to have this flexibility that so few women in this world ever have. And again, as Jack gets better and I can pick up what I had to let go of in the past week to make everything work, I look forward to working at full capacity with gusto.

Filed Under: Voiceover, working mom Tagged With: actor, commercial, commercial campaign, professional voice over actor, recording, small business owner, solopreneur, voice over, working mom

Defining Quality in Voice Over

May 10, 2020 by Laura Schreiber

https://youtu.be/BA8J4VMDECU

The Talk Began with Armin at One Voice

Yesterday I spent much of the day online in my den enjoying different workshops from the One Voice 2020 conference. I had not planned to fly to London to attend before the pandemic, but since virtual attendance became an option I was excited to participate. I got so much out of the sessions, from thinking about craft and marketing, to thinking about my feelings about auditions and the work that I book. So, from the start, thanks to Hugh Edwards and the entire team at Gravy for the Brain for this amazing conference!

Each session got my wheels turning for different reasons, but during Armin’s session that was around 11 AM EST, when he spoke of defining quality in the industry. My head was bursting with ideas. If you don’t know Armin Hierstetter, he is the founder and CEO of the online casting platform Bodalgo. Unlike some platforms where you can simply sign up, Bodalgo stands apart because Armin has a screening process to begin with, setting a bar for “quality” from the start. In his talk, Armin spent a bit of time talking about what is going on industry wide in terms of quality, what quality looks like, and how quality could be achieved.

Why does Armin’s chat matter so much? Well, if you recall last week I blogged about Casting Director MaryLynn Wissner and what happens if we take Coaching out of the mix when defining a professional. Yesterday, Armin made a strong argument for why coaching and training matter when defining quality in voiceover. Armin was not alone when he spoke about the importance of coaching, I heard this message from Kay Bess as well. I think any well-established talent in the industry will tell you with pride how much they have invested in working on their craft. Next, Armin also spoke about the importance of audio quality. Again, in order to book work competitively at the moment in the industry, a professional talent must have the “right” equipment in a sound treated space and know how to edit it. But simply having training and buying equipment alone is not enough, these need to combine with an ethical underpinning on platforms that are out to foster the growth of the industry, and all of that together creates a synergy to provide quality work for out clients.

So, inspired by Armin, let’s examine more in depth how we can work together at this unique moment in history to provide outstanding VO quality for our clients:

Training:

It is imperative that in order to be competitive in the voice over industry today a talent must have coaches and continue to work on their craft. When I started I did a combination of one on one coaching in specific genres, online classes, acting and improv. Whether or not you are working towards a demo, a good coach will help you develop your strengths and identify your weaknesses. They will also help you identify next steps and encourage you with other genres of voice over that would likely be a good fit. As MaryLynn mentioned in her blog post, good coaches ideally have a responsibility to give talents both a push in the right direction and a heads up if they are sub parr.

Attending conferences is essential to understanding industry trends. What is current and booking changes. If you are not in touch with other voice actors and involved in current training, how do you know what is booking at the moment? There are also differences by region. For example, I was told at WoVo Con 2019, this year, that when submitting west coast auditions I should add touches of improv but never to do that on auditions being submitted in NYC. Working out and doing line reads in the presence of other voice actors, while humbling, also helps you see where you fit in in the community and if you are in fact up to snuff. It is really important to push yourself to these challenges and participate in such community activities.

Audio Quality:

Audio quality matters. Clients can hear the difference when listening to auditions. I have always been a big proponent of getting WoVo studio approval and when I cast jobs for clients will only cast with talents who have been vetted through this process.

For those wanting to learn as much as possible about studio setups and audio standards, there are lots of great ways to go about it. The VOBS weekly show is really helpful. If you started watching today, you would be busy for a while! Both Dan Leonard and George Whittam are also available to help teach anything related to audio processing and studio set up, as is Tim Tippets, and Roy Yokelson. There are others out there too, but if you want to have competitive audio, the quality of your raw audio needs to be outstanding and then you need to know how to edit it. It’s that simple. Those of use who have been in the business for a while typically attend workshops at conferences on DAW upgrades. For example, I love learning more about Twisted Wav. We also typically make improvements to our travel rigs. If your audio is not pristine, all the coaching in the world won’t save you.

Conclusions

If you want to succeed in voiceover, there are not short cuts to creating quality work. There is an industry standard and the bar is high. That is what books. If you are aware of those of us who continue to book at this time, the answer to what sets them apart is one word: quality.

Filed Under: Client Relationships, Voiceover Tagged With: Armin Hierstetter, Bodalgo, Coaching, Dan Leonard, George Whittam, Gravy for the Brain, Hugh Edwards, One Voice Conference VOBS, quality, recording, Standards, Tim Tippets, training, Uncle Roy, VO, voice over, voiceover, WoVo approval

My Professional Recording Studio… At Home!

September 16, 2019 by Laura Schreiber

Working From Home

Who doesn’t dream of rolling out of bed, brushing their teeth, staying in their cozy pjs and slippers, and going down to their home office, right? As a full-time working mom, I wanted to work from home to be near my children. I love that I am home when they are off or home from school. I love that I am here when they home sick. I also love that my precious Cavalier, Violet, is with me in the studio much of the day while I work.

When I built my business voice over, I decided early on to build a professional home studio. It was really exciting to make choices that were specifically to my benefit. From the colors to the height of the desk, it was all about me! Everything else in my house is done for the common good. I have done my kids rooms for them. My kitchen is meant to be practical. This was the first time I built something based on my research, preferences, and taste!

Come on In to My Voice Over Studio…

Welcome to my booth… Please check out this tour:

https://www.youtube.com/watch?v=LY3QVccreqg&t=1s

From the Foam to the Mic

Every choice in the booth was made with a lot of thought and careful decisions. My wonderful contractor, Pzermik, worked with both Uncle Roy of Antland Productions and George Whittam to get all of the spec right. The walls are double thick and have special insulation on the inside. The carpet has plush padding and I have a rug of the rug. I have a special fire door that is both sound proof and insulated. My booth. was built with aurelex foam. I have great bass traps. While my voice lacks bass tones, they keep my rectangular booth from sounding boxy. I couldn’t have a whisper room because of the ceiling clearance and studio bricks didn’t exist at the time, but I spent a lot of time looking at the whisper room set ups and that really helped me discern what I needed and wanted.

I am particularly proud of my lights and fan. Both are silent and both work well! It is always bright in the booth.

I have made lots of upgrades to the equipment over the years. Now, I record on a Neumann TLM 103, Avalon M5, and MacBook Air with Twisted Wav. I am really happy with this set up.

What Makes it Professional

The audio quality of the final produced work makes this booth a professional booth. My raw audio is pristine. I am have a very low noise floor. I do a lot of radio and a lot of live sessions. My clients never have issues with the sound.

What Makes it Custom

This booth was built around what is good for me! So if I have friends over they may not find everything the way they have it in their booth, but I love all my little details, from my shelf that holds the pre-amp and interface under my desk to my hooks for my head phones and wires that are at just the right locations. One of my favorite details is that we actually drilled right through the desk so that the music stand is dead center in front of me to place the scripts on. It is perfect.

What I Would Change

There are somethings I would change for sure! I spent a lot of money upgrading to white foam which turned yellow within the year that I bought it. I really do not like the yellow. I was at a conference last week and saw a turquoise and grey booth and I have total booth envy now! I initially wanted the white because I thought it would feel so big and open, but now it just looks awful and I’m upset about the white.

It is cold in the winter! I don’t know how I would make it warmer, but I am going to figure something out, because it gets ridiculously freezing in there!

My booth is in my basement. I didn’t want to take up space in the rest of my house, but I hate being in the basement. I feel far away from everyone. I also never want to do other work in the workspace I created adjacent to my studio because I don’t want to be in the basement.

I think at some point I would like to add built in storage. At present I have some storage cubes and a file box in the booth. In the long term, I would love something a little neater.

My other major longterm goal is to have my travel rig sound more like my main set up! I use my travel rig enough that I need to have it sound closer to my home studio. Right now there is too much of a disparity between my apogee and my Neumann.

Filed Under: Voiceover Tagged With: aurelex foam, Avalon M5, base traps, booth, equipment, momtrepreneur, Neumann TLM 103, recording, solopreneur, studio, VO, vocieover, voice over, voice over actor, working at home, working mom

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